This paper is the latest in a series about the Rhetorical Schematics Project, housed in the Augmented Criticism Lab: a digital collaboration between the Universities of Waterloo and Calgary, where Adam James Bradley and I are based.
I presented it first at the Canadian Society for Renaissance Studies (CSRS) conference at Congress 2015, and a revised version a few weeks later at the 2015 Shakespearean Theatre Conference in Stratford, Ontario.
My subject is “Augmented Criticism and Rhetorical Figures.” If that sounds highly technical, let me assure you that Adam and I are literary critics first and digital humanists second. That is, we use computers only to augment traditional research inquities, that are rooted in philology.
Here, for instance, our inquiry is into rhetorical figures, or the patterns of repetition and variation that make poetic language memorable, compelling, and beautiful. Continue reading “Augmented Criticism and Rhetorical Figures”